Monday, January 26, 2015

"FIREMEN AND THE AFTERMATH" - ACRYLIC PAINTING ON CANVAS - COMPLETED

I've basically completed "Firemen and the Aftermath," acrylic painting on 20” x 24” canvas – touch ups and it’s done – adapted from a fire department photo …


(c) 2015 Wes Rehberg 

Friday, January 16, 2015

"THE STYX SUBWAY, IDLING" -- OIL PASTEL PAINTING

Could be complete – “The Styx Subway, Idling” – oil pastel painting on 11” x 14” smooth paper – © 2015 Wes Rehberg

 

Monday, January 12, 2015

"THE CROWN OF THORNS VS. THE EMPIRE" -- OIL PASTELWORK


“The Crown of Thorns vs. The Empire” --  I’ve reworked “Crown” to more fully represent the theological position I wanted to express, which itself isn’t commonly associated with what the crown of thorns signifies in the biblical stories – oil pastels on 11” x 14” smooth surface paper – © 2015 Wes Rehberg …
 
 
 
 

2015 and visual art painting a drawing


2015 and visual art painting a drawing:
Now that I’m definitely at it again I need to figure out how I want to improve. I now have a renewed sense of style in the various media I’ve been using: acrylics, oils, oil pastels, soft pastels, pencils, markers. Still, something I call completed needs to feel integrated and well executed to me even though it might yet appear rough or crude to other eyes. It’s a matter of “touch” on my part. I rush things too much at times. There are many differences in the way I worked for four years in an effort that ended 34 years ago and the way I’ve worked since I resumed this last May – an example in one medium is in two soft pastels posted here, the one with the trees a 2014 work, the other a 1979 piece. Both of these I consider completed but the styles are different. It’s serious, this to me. The work continues.
 

 
(c) 2015 Wes Rehberg
 
 
 

Friday, January 09, 2015

"SALVADOR FAMILY IN METAL HOME" -- OIL PASTEL PORTRAIT

Seems completed - "Salvador Family in Metal Home" -- oil pastel portrait on 11" x 14" medium surface paper -- adapted from my photo -- setting it aside for touchups ...


 

(c) 2015 Wes Rehberg