Wednesday, July 11, 2012

KEY CHARACTER'S REFLECTION IN "TURNED LOOSE"

A reflective moment for Gil Stephens, a main character in "Turned Loose" and "Stringer":
Sunday, Gil Stephens mused. Loose ends hovering over the morning. The psych center stories. Helen and Alicia and the conflict he felt. The way he’s lurching around as he rises out of passivity to a more proactive creativity. Moonset outside on a light coat of snow, sky clear. First light and an occasional illumination from the motion sensor light on the cabin from a foraging animal passing by. The aroma of coffee, warmth of the pellet stove and the hum of its fan. The moment, the now that never leaves him, the way that awareness slips, disappears, returns, present. Spirit. The notion that each being, each entity unfolds the creative edge, a contour that to his spatial sense seems irregular, but what could he possibly know beyond what his senses allow to enter a brain with limited capacity. Now his eye and his nervous system’s adjustment to a new way of seeing he’s gradually getting used to, able to negotiate with as he moves through space. Gravities and orbitings and the cosmos unfathomable, as science struggles to understand. So much learned and yet to learn. The planet, its fragility, how temporal it is, the solar system too, so dependent on the Sun, itself doomed. His conversations, even prayers, with and to an entity he likes to think of as a guardian.
Then the philosophical world he’s had fascination with, the postmodern, perception, interpretation, cultural study, the political morass, more loose strands hovering. A passing movement behind him into the bathroom, the scent, the soft sounds, the touch on his back. The creak of the loft’s steps as another movement descends, breathing, touching, reaching for coffee, sitting alongside him as the other movement returns and does the same. How is it, this? All this, and just this, now?

EXCERPT FROM A NEWS STORY IN "TURNED LOOSE"

EXCERPT FROM A NEWS STORY IN "TURNED LOOSE"
One aspect of the novel is a weekly's publication of a special report on a psych center's reduction of its population. Below is a fictional straight news story by one of the characters:

Excerpt from a story by Holston:
 “Demands mount at Crisis Center - last resort for help”
By Reginald Holston
Courier special correspondent
   When life falls apart for a mental patient, or the system does, the last resort is often the Crisis Center.
   Anyone spinning in the whirlpool of a mental crisis - those who are suicidal, in extreme depression, with a psychosis erupting, or suffering extreme anxiety -- may show up at the agency’s doorstep.
   By its formal name, it is called Emergency Mental Health Services, located at Oquaga General Hospital. Its other nickname is EMHS.
    “We are the key entry point for the unattended patient,’ said Dr. Pierre Dejardin, the center’s director. “We see the same patients over and over again, know their names when they come through the door.”
   Some are violent, some are so injured its hard to tell where the mental illness begins and the injury ends, and others have illnesses that need medical intervention. It’s up to Dejardin and his staff to “deal with it,” he said.
   Last year, more than 3,000 patients arrived at the center and almost half of these needed inpatient care, according to the agency, which is part of the state’s mental health system. And though he and his staff are state employees, they are sharply critical of the state’s policy on deinstitutionalization.
   “We have 21 beds on the fifth floor of Oquaga General,” Dejardin said. “We have to try to send some back to the very institution that put them out on the streets to handle the overflow. Does that make sense?”
   Further, he said, with the state policy accelerating, the already overwhelming situation is getting worse ....



Monday, July 02, 2012

SHORT STORY "SCOOTER" PUBLISHED ...


The Kindle edition of eFiction, where my short story "Scooter" appears in the July issue of the literary magazine.




With that, three poems "declined," one short nonfiction story - "Fidel's Gift" - and poem - "Orbits - published in a Chattanooga online journal, "The New Writer."

Monday, June 25, 2012

"STRINGER," "HILL,' AND THE INNOVATIVE AGED


FIRST DRAFT COMPLETED ... (10 Jul 2012)


New synopsis for my novel in progress: “Down from the Hill” -- It’s a sequel to "Stringer" in which the aged characters are appalled by the impact of a psychiatric center's downsizing which leaves mental patients on the streets without care. In their news work they face eruptions from the past and peel layers away of their own relationships, illusions, sexuality, inhibitions and their understandings of reality and transformation. These understandings are later deepened as they travel to Morocco through Spain where the male protagonist would meet his son for the first time. And they separate later, one to the Netherlands, another to Chiapas in southern Mexico, and the third to recover from injuries in upstate NY. And thus to the end ...

One thing I'm doing in "Stringer" and "Hill" and the novel that may follow is challenging the ridiculous stereotypes about people my age and the way some aged people let themselves be defined by them -- so very absurd ... Many of us are as intricately intense, physical, creatively thoughtful and innovative, and as emotionally keen as people of any age.


Thursday, June 21, 2012

"SCOOTER" ACCEPTED FOR PUBLICATION ...

Accepted for publication: My short story "Scooter" in the next issue of eFiction Magazine ....


Three poetry "declines" from three other journals, on the other hand, as of June 24.

Saturday, June 16, 2012

"STRINGER" NOW ON KINDLE

My short novel "Stringer" is now available for Kindle devices and apps at this link:
http://www.amazon.com/dp/B008C0NC1O/ref=rdr_kindle_ext_tmb

Once again, a synopsis:

RETIRED JOURNALIST MENACED AS HE PROBES
DEGRADING CONDITIONS RURAL ELDERLY FACE
A retired and semi-reclusive former journalist who strings for a local weekly newspaper is urged by a woman activist who brings meals to rural homebound elderly to help her expose degrading conditions some live in.
Her request involves him and his sculptor wife in an investigation that leads to threats, local political corruption, personal conflict, a reunion with a painful past and a choice about his future.

Thursday, June 14, 2012

DRAFT OPENER FOR "STRINGER" SEQUEL ...

Sequel is tentatively titled "Down from the Hill" -

Mike Hancock climbed the sagging stairs to a third-floor door that let out to an asphalt roof. He felt light rain as crossed the roof to another door; opened it and entered a one-room apartment. They call it an “efficiency,” he thought. My place. Out of that damn looney bin again. I wonder what this roof will be like as winter gets worse. What a hole. An apartment with its only door on the roof.
“Meds,” he said to himself. “Where the hell did I put them. I feel like throwing up.”  He ran water from the stained kitchen sink into a paper cup and took a drink. 
“There they are.” 
Hancock picked up a vial from a folding table with a torn top, dropped a tablet into his palm, placed it into his mouth, and drank again. He sighed and sat down on a wooden chair. 
“Rumble rumble, I’m going to tumble,” he started to chant in monotone. “I can’t grumble about the state I’m in. Clinic’s no picnic, I’m an impatient outpatient, sentient being whose been shoved into ...”
He stopped. “What is this. Limbo? Purgatory? Whose madness put all this together?”
Rain, rain. He stepped back onto the roof, looked over the edge into a small wood-fenced yard below, mostly dirt and weeds. Through the closed window of the next house, very close, he watched a seated heavy man in an undershirt and shorts and a slimmer woman in a slip. She moved around a kitchen. On the second floor. Below. 
I could jump, he thought, head first. Break my neck. Then it would be over. What would they do with my body? He knew he was visible as twilight darkened the neighborhood, lights turned on inside the scattered houses on small lots. The man in the undershirt stood up, walked to the window and looked out, turned to the woman and pointed. He sees me, Hancock thought. She looked out as well in her slip, a can of beer in her hand, then turned away and disappeared from view. The man sat back down in the chair and appeared to speak to someone Hancock couldn’t see. 


My aim is more than 40,000 words - more elaborate depictions of characters, more complex plot)

STRINGER NOW AVAILABLE ...

STRINGER, my short novel, is now available from our distributor and soon will be from Amazon.com and other booksellers. Click here to view its web page. Synopsis is below.



RETIRED JOURNALIST MENACED AS HE PROBES
DEGRADING CONDITIONS RURAL ELDERLY FACE
A retired and semi-reclusive former journalist who strings for a local weekly newspaper is urged by a woman activist who brings meals to rural homebound elderly to help her expose degrading conditions some live in.
Her request involves him and his sculptor wife in an investigation that leads to threats, local political corruption, personal conflict, a reunion with a painful past and a choice about his future.


Tuesday, June 12, 2012

CAN'T WAIT:


I'm soon to turn 76. What this means about future longevity I have no clue. But. Rather than wait months or years at my age for a traditional publisher or agent to decide the market or literary value of my work, I'm deciding. People may like and buy them or not... They're out there.

COVER FOR "STRINGER"



Sunday, June 10, 2012

THIRD DRAFT AGONY

Agony, now working on the third draft of my short novel "Stringer."
A synopsis:
A retired and semi-reclusive former journalist who occasionally posts in a blog and strings for a local weekly newspaper is urged by a woman activist who brings meals to rural homebound elderly to help her expose degrading conditions some live in.
Her request involves him and his sculptor wife in an investigation that leads to threats, local political corruption, personal conflict, a reunion with a painful past and a choice about his future.

Thursday, June 07, 2012

CONFRONTING FINAL CHAPTER OF "STRINGER"

Now to the point of resolution of the first draft of my short novel "Stringer" -- novella length I guess,  according to the chart below, about 24,000 words or so. Probably will end up about 120 pages, paperback length, unless revisions broaden or shorten it. Okay, enough anxiety. Time to get it on with what I think is the final chapter ...
Later ... Draft written -- now the next hard part, editing, revisions, assessments ...

ClassificationWord count
Novelover 40,000 words
Novella17,500 to 40,000 words
Novelette7,500 to 17,500 words
Short storyunder 7,500 words

Wednesday, June 06, 2012

SYNOPSIS OF "POLITICAL GRACE:THE GIFT OF RESISTANCE"

Below is an extended synopsis of my book "Political Grace: The Gift of Resistance," available at Amazon.com and Barnes & Noble as well as other book sellers. Its web page is http://www.wildclearing.com/politicalgrace.html 


Synopsis (Prologue)
Philosophy and theology have increasingly turned to the problem of the rising numbers of people who live in extremely severe and abasing conditions of oppression, people who are surplus to global economic and political orders which the oppressed define as "neoliberal" and "neocolonial." This work, Political Grace: The Gift of Resistance, is part of that turning, through conversations with those who were and have been living under oppressive conditions, especially in Central America and Mexico, and through conversations with phenomenology, feminist theology, feminist jurisprudence, ethics, and liberation theology.
There is an assertion that divine grace, and the autochthonous organization of the "lifeworld" which phenomenologists discuss, act in concert to seek to enable and empower the flourishing of all things, including humans, who have the reflective capacity to understand, conceptualize, imagine, produce and judge.
The actions of grace and the autochthonous are in a sense the same as they move to privilege places and spaces where flourishing is impeded, to help mediate opportunities for flourishing.
What frequently occurs when people living under oppressive conditions seek to become aware of, or change their circumstances is a backlash by those who control political and economic conditions. This backlash results in resistance. Grace, thus, is the gift of resistance, political and economic, and for the author, nonviolent.There is also an assertion that there is emerging within creation a more intimate and deeper understanding of the connections within which humans thrive together and with the planet, a fragile emergence.
To characterize this emergence the author has employed the neologisms "transintuitivity," "transsubjectivity" and "transreflexivity," each described phenomenologically and theologically. Also asserted is a theology in which the divine is described as emptying itself entirely into creation, empowering through grace and its own risk, through flourishing, through enhancing connections, including those that are considered intuitive, subject-to-subject, and reflexive. These connections, especially present in such sites of resistance as Christian base communities throughout Latin America, can be seen in the daily lives of people who theologize about their circumstances as they seek to discover equitable means of survival within a global economy that has left them surplus.
-- Wes Rehberg

Tuesday, June 05, 2012

SYNOPSES OF "OPENING THE GATE" SHORT STORIES ...


Brief synopses of the five short stories in my new book “Opening the Gate” are available below. Kindly check them out:
The Enduring”: Two shotgun-bearing elderly sisters who have been forced to look after a disabled but violent teen nephew in their rural home encounter two significant visitors, an ex-convict who worked in forest lumber operations and another who has a plan for their property but runs into trouble.
“The Fog”: A 17-year-old New York City street kid reflects on encounters he had when he was 14, living in a three-room flat with grandparents, his mother and brother, his failure in school, his independence, and a new beginning.
“Scooter”: A scooter-driving drug user moves in with a dying elderly woman alcoholic after a meth house fire, much to the consternation of suburban neighbors.
“Tina’s Nicaragua Story”: A nonfiction recounting of a meeting in northern Nicaragua with a woman whose husband and daughter were killed when contras crossed the nearby border with Honduras and attacked her community.
“Jail Birds”: Offered in the first-person, a narrative told by a clergyman who reluctantly counseled murderers in a county jail and maximum security setting and had trouble in a divided church after a visit to Palestine.
Its web page is here: http://www.wildclearing.com/gate.html 

Sunday, May 27, 2012

SALGO ADELANTE ....

Novel "Stringer" is progressing amid mixed publishing results with short stories and poems. Many procedurals demonstrate digital savvyness by the aged protagonist, contra the usual stereotypes laid on older people. (Larsson and other Scandinavian noir novelists influenced the inclusion of tech approaches).

Tuesday, May 22, 2012

BACK TO NOVEL "STRINGER" - and scoping literary outlets

Day of sustained work on "Stringer," my novel in progress. The POVs were haywire in the beginning pages so I redrafted the first 11.
Also looking at other outlets for two poems that have been "declined." Maybe I'll rework the rejected flash nonfiction piece "Fidel's Gift" too a bit, reconsidering the journalistic style I used. Got to think about the notion that such a style isn't considered "artistic," though.
There are more than 800 literary magazines out there.

Monday, May 21, 2012

SUBMITTED, DECLINED, PUBLISHED IN MAY THUS FAR

A glance of what's happened with my work thus far in May
Four declines, five pending, two poems and a book published

(Chart as of May 14 - updates below)
Submitted again on May 26:
"Orbits" - Poetry - to The Pedestal Magazine
Declined on May 26:
"Orbits" - Poetry (Status change from In-Progress)
Declined on May 22:
"The Smile Hasn't Left" - Poetry (in chart above as In-Progress - status change)
Published:
Book: "Opening the Gate" via Wild Clearing: short stories, poems, on Amazon
Two Poems: "Alien Bones," "Tick Tock" in The Rusty Nail

NEW MORNING TO KEEP ON IN

New morning to keep on in.
I'm fascinated by the will to create, to write, to bring forth art.
So many songs sung by artists who compose them or cover them, fine musicians who ply the cafés, bistros, local scenes, side stages, online video outlets. Poets who publish their own chapbooks or in web literary magazines or just read in local settings. Storytellers who dramatize wherever some may listen. Visual artists and sculptors who may find a gallery, but if not, still persist and show in open markets. Actors, playwrights, dancers who use the streets or may find a stage. Craft people who find niches everywhere to display what they do. I imagine the profusion of those working and am awestruck.
This very moment even.
And I love to create, to write, to film at times, to photograph, to publish as well, so it goes on. The agony, the discovery, the journey, the connection with something within from which comes form and content influenced by what the senses have discovered exterior to me. That inexplicable will to shape something new.

Tuesday, May 15, 2012

AT THIS AGE . . .

. . . It's harder to be patient with traditional processes of authoring, especially when an array of self-publishing options are available. Not that these guarantee acceptance in a marketplace, or critically, or even get a reading.
The thing is to just keep on writing despite rejections, or fears of these. As one poet I know wrote, the demand for books, or any creative piece for that matter, is far lower than the output of works created by those who pursue their craft. Even in the digital era.

Monday, May 14, 2012

WRITTEN, SUBMITTED, PUBLISHED IN MAY THUS FAR

Written:
Three poems: "Orbits," "Looking," "Semblance"
Flash Nonfiction: "Fidel's Gift"
Novel: "Stringer" - in progress
Short Story: "Jail Birds"
Submitted:
Flash Nonfiction: "Fidel's Gift" to Flashquake
Short Story: "Scooter" to eFiction
Two poems: "No Wind, No Keel," "The Smile Hasn't Left" to Future Cycle Press
Published:
Book: "Opening the Gate" via CreateSpace (Self-published) short stories, poems
Two Poems: "Alien Bones," "Tick Tock" in The Rusty Nail
(As of May 14)


Notice on May 15
One poem rejected - "No Wind, No Keel"
Notice on May 20
Flash Nonfiction rejected - "Fidel's Gift"

Thursday, May 10, 2012

ORBITS -- A READING -- NEW POEM

Trying something different, a reading of my new poem Orbits ...



Monday, May 07, 2012

"OPENING THE GATE" NOW ON SALE ...

Sales channels for my new book "Opening the Gate" are now open  and can be accessed at its web page
http://www.wildclearing.com/gate.html -- check it out --



Opening the Gate

Short Stories and Poetry by Wes Rehberg

Authored by Wes Rehberg"Opening the Gate" is a collection of five short stories and five poems by author Wes Rehberg, some which include fictionalized biographical elements and as well draw from his experience as a print journalist and social justice activist. Titles of the short stories are "The Enduring," "The Fog," "Scooter," "Tina's Nicaragua Story," and "Jail Birds." Two of the poems have appeared in the literary journal, The Rusty Nail. "Alien Bones" and "Tick Tock."

"OPENING THE GATE" PROOFS ...

Correcting proofs of my second book, "Opening the Gate," a collection of five stories and poems -- the mistakes I've made but seem to overlook until things get to a stage like this.

Saturday, May 05, 2012

"JAIL BIRDS" REDUX -- FINAL DRAFT

I believe I now have a final draft of my short story "Jail Birds," written in the first person. The opening paragraph is below:

The guard brought me to a tiny room with a small wooden table and two chairs. He opened the door, showed me the button to push if I needed help and told me to take a chair. The guard then walked toward the county jail’s cells to retrieve an itinerant young man, accused of murdering a boy, 14-years-old. The charges alleged that the accused man killed the boy, strangled him, after he keyed a scratch on the man’s car door. I was there because he requested a jail minister. This was during a time I volunteered to do prison ministry. Now, years later,  I find myself musing about his situation and others I encountered in this work. Especially those that involved homicides. I’m also writing this as a way of thinking back on things. It seems appropriate now. ...


Friday, May 04, 2012

SYNOPSIS FOR "JAIL BIRDS"

Synopsis for "Jail Birds"
"Jail Birds" is a first-person fiction short story about a prison minister who reflects on encounters with men accused and convicted of homicides, his differences with church doctrine, his troubles as a church pastor, especially after a trip to the Mideast, and the realization he comes to - first draft completed.

Tuesday, May 01, 2012

TWO POEMS PUBLISHED ...

The literary magazine "The Rusty Nail" has published two of my poems in its online edition. The poems -- "Alien Bones" and "Tick Tock" -- will be published in its print edition as well. Link is http://www.rustynailmag.com/wrehbergpoems.html

SACRED CABIN, SACRED EARTH



Our cabin, sacred to us, sits in a clearing at an elevation of 1,800 feet on Tuscarora Mountain, a massive shale outcropping formed when glaciers halted their movement southward in the Ice Age. The mountain’s name is tribal, and long after the glaciers moved south, the tribal history began when indigenous people, the Tuscaroras migrated north to this region, eventually to be part of the Iroquois Nation. For we two here now, the iceberg and native history are still very present. Like a confluence - icebergs, Tuscaroras, now us, a place we in our lives have inhabited on-and-off for 21 years.

This mountain and others nearby are considered the high peaks of Broome County in upstate New York, in southeastern Broome through which the Susquehanna River flows on its winding journey to Chesapeake Bay in Maryland. Its terrain has been quarried for bluestone shale, including our 5-acre site, the quarriers often independent locals eking out a living. It has also been logged, though portions of the area are protected woodlands, and it now is the target of natural gas exploiters because it is lies within the northern sector of the vast Appalachian Marcellus Shale deposit, the gas reachable through the shale layers by the toxic drilling method called hydrofracturing, fracking for short.

Our piece of land bares its ancient history in the shale outcroppings that show through the soil, its native history in the sense we have that it feels and seems all too apparently to have been a worship site, a spiritual space, and its so-called American history in the dirt road that passes by, in the logging and quarrying evidence, in the nearby few neighbors, mostly of European descent, in the nearby dwindling dairy farms, and in the constant efforts of speculators to exploit its surface and depths for wood, stone and fuel.

Yet, and there is a yet, for our time here it will remain sacred in the presence of its history and what we still may be able to share and preserve, with it, in its transfiguration.

Monday, April 16, 2012

STORIES OF COMPASSION AMID DESPAIR

I struggle with ways to tell these stories ... 
A refugee camp in Chiapas, in southern México, the year 1998 - the mothers and children here were survivors of a massacre by paramilitaries. We met them and accompanied them on one of our human-rights journeys. The prevailing attitude of those who cared for them - radical Jesuits - was compassion. Compassion in the midst of despair. Sometimes that seems so rare.
Survivor Photo (5) - Young Tzotzil Mayan women and children in a Chiapas, Mexico refugee camp, survivors of the massacre of 45 kinspeople in Acteal in 1997, whom we accompanied back to the massacre site a year later for a commemoration of those slain by paramilitaries. © Wes Rehberg

Friday, April 13, 2012

JAILBIRDS STORY, HEAVY METAL, MR. BOJANGLES

Writing my "Jailbirds" story, I wondered whether the chunks of sound of barred-doors closing influenced "heavy metal."
I also thought about Jerry Jeff Walker's song Mr. Bojangles, who liked to dance, and in his cell "jumped so high, jumped so high, then he lightly touched down ..."

Thursday, April 12, 2012

BRASS ...

Just laid out a paperback-size book of four short stories and five poems -- like a brazen neophyte ...
Might add a couple of other pieces -- still in process

Wednesday, April 11, 2012

CUBA VISIT AND A U.S. PENALTY ...

I'll be writing a story about this at some time, too - nonfiction -- 


One of two intriguing visits ...

Monday, April 09, 2012

"JAILBIRDS" -- fictionalized nonfiction short story

   I've begun writing a fictionalized nonfiction short story drawn from murderers and events I encountered while doing prison ministry in an upstate New York county jail and a maximun security prison.
   Its tentative beginning is this:
   
   "The guard brought me to a tiny room with a wooden table and two chairs, opened the door, showed me the button to push if I needed help, and told me to take a chair. He walked toward the county jail wing where an itinerant young man was behind bars, accused of murdering a boy, 13-years-old. The charges indicated that the accused killed the boy after he keyed a scratch on the imprisoned man’s car door. I was there because he requested a prison minister ..."




    

Thursday, April 05, 2012

"TINA'S STORY" draft completed

   Wrote a draft of "Tina's Story," a short nonfiction piece about a woman my spouse Eileen I met in northern Nicaragua in 1992 who shared leadership in a base-community cooperative there. This was a region that constantly faced invasion by U.S. supported "Contras," who were also responsible for the deaths of her daughter and husband during an onslaught into Tina's cooperative and a nearby village. About 1,000 words. 
   Read the story aloud at "Wide Open Floor" at the Barking Legs Theater in Chattanooga, TN. It moved ...

Tuesday, April 03, 2012

"OPENING THE GATE"

     Thinking about putting together a book of fiction and nonfiction short stories and poems called "Opening the Gate" to try to launch my new effort in fiction writing and poetry and renew my nonfiction effort. The short stories are "Scooter," "The Fog," and "The Enduring." One of the nonfiction pieces is "Amanecera's Story." Two of the poems are scheduled for publication in "The Rusty Nail" electronic/print literary magazine. A curious amalgam, no doubt.
     The content may change as I work through this ... still very formative, especially the quality, but I'm learning, with help from the Chattanooga Writers Guild workshops.
     Also, I'm recirculating "Down Home With Dalton," 74-minute documentary film about Dalton Roberts, songwriter, performer, storyteller, and former Hamilton County county executive in Tennessee. This was filmed with songwriter-performers Martha Ann Brooks and Donnie Jenkins. This will be available shortly through Amazon.

Saturday, March 31, 2012

PROCESS EQUALS ...

Perception ... imagination ... presentation ... arrangement ... representation ... rearrangement ... re-representation ... and on until, maybe, dissemination ...

Friday, March 30, 2012

THE CURSE ...

Creativity is a curse. I feel like I'm wandering in a maze of mirrors. On the mirrors are thoughts I convince myself to collect and try to make sense of. When (and if) I come out, there's supposed to be a finished work ... 

Saturday, March 24, 2012

SUSPENDED ANIMATION

Passing stages and phases, hard to fathom how it goes. I've suspended work in video art and filmmaking, in the Video Curio Theater, my dimly-lit backstreet internet venue for the experimental work. Writing seems to be the creative thing, more intimate and integral, though why I can't say.
I mourn this transition a little because of the seven years I've invested, a couple of good documentaries filmed, some social issues exposed, experimental work I feel was innovative. I'm not a good judge, though, and it was becoming tiresome, both in the doing and the pondering.
I'm not sure about this course either, the writing. But here I am.

Thursday, March 15, 2012

"RUSTY NAIL" TO PUBLISH 2 POEMS - BOOK IS ON AMAZON

The online and print literary magazine "The Rusty Nail" has accepted two of my poems for publication -- "Alien Bones" and "Tick Tock." Exciting news to me ... I'll link to them when it happens.
Also, "Political Grace: The Gift of Resistance" is now available on Amazon.com at this link ... Check it out please.

Tuesday, March 13, 2012

BACKGROUND FOR "POLITICAL GRACE" IS FIRST-HAND ...

These are scenes from a few of the sites of resistance we've visited that helped shape some of the background and reflections that are part of "Political Grace: A Gift of Resistance" ... scenes from Chiapas, Mexico; El Salvador; Palestine, in this view ... photos aren't in the book ...
To explore our human-rights work more deeply visit the Rehberg Institute web site.

Monday, March 12, 2012

"POLITICAL GRACE: THE GIFT OF RESISTANCE" NOW ON SALE ...


My paperback "Political Grace: The Gift of Resistance" is now available for purchase at this Create Space link and soon at Amazon.com -- Check it out ! ... Synopsis viewable at Create Space as well -- And, links for purchase and a synopsis are also viewable on its own web page here on our site ....

Sunday, March 11, 2012

"THE FOG" - Short story -- first page ...

THE FOG -- first page - short story -- final draft (I believe) --


The fog. Enoch felt secure in its midst.

It muted city sounds. It was a cloak that left the sensation that he was connected, like with a visible spirit, yet separate, suspended.

He always seemed to himself a little distant, out of place. Yes, he played with others, stickball in the schoolyard, punchball, stoopball, roller hockey on the streets, was even good at it. But there was a division between all this and himself that he knew but couldn't fathom.

“Maybe it’s my name,” he thought, walking down narrow 208th Street to a corner candy store -- “Enoch Jubal.” Some his age would call him “Jewboy.”

“Or maybe it’s just me,” he’d think.

Actually, his Hungarian-born grandfather was a Catholic, his grandmother a Lutheran, and Enoch a skeptical communicant in the Catholic church. His grandfather had an Austrian name, Rothpauer, but his drinking buddies called him “Rummy.” “Rummy Jewboy,” the young boys would say, teasing maliciously, when Enoch let on about his grandfather’s nickname.

“Or, maybe I’ll never know,” he thought.

Walking in the fog that day, a wisp of mist rose from the street’s manhole covers. Sewer smell. It carried. He let himself feel enveloped by that too...


Monday, March 05, 2012

MAKING THE SONG ...

"The poet brings the words, you bring your life and together you make the song" -- Christopher Burns

Sunday, March 04, 2012

"SCOOTER" OPENING - SHORT STORY

Below, in the hollow, Madelaine Krutcher adjusted herself on the floor where she fell trying to retrieve a bottle of gin from the kitchen inside her 40-year-old house, nested among tall loblolly pines, tulip trees, sweet gums and maples. She launched into a harangue as she tried to sit up.
"Hate this thing, what, quad cane, fell again, but no one’s falling for me, don't they know I'm a Red Hat girl, damn legs swollen,” she said as if someone was there. “Cat tripped me, Snookie sweet pup lick my face, Nippy, you're ignoring me - Now they want me to have a motorized wheel chair, little ramps on my hardwood floor."
She had fallen in a hallway alongside three uncleaned litter boxes. Her elbow was in one, part of her robe in another. She was barefoot.
"Feel me, feel my skin, feel it all - nobody touches me - I'm the nice one with cute little dogs, lots of cats. Doctor says at my age, what, I need a health care worker. If he's a man OK, otherwise, skip it."
Krutcher removed her arm from the cat litter with what she thought was a gesture of grace, pretending she was on stage.
"Drink, drink, drink, drink, I need a drink, a man too, Horace is gone, other one also, husband, what was his name? Age makes you forget but how could I forget that. Rusty, Rusty was lusty, dead too. Oh can't get up. Oh no, not Rusty . . . Russell! -- Damn I gotta get up, nobody's going to help me."
Her monologues like this became frequent, nasty in tone. She liked to hear her voice, thought she should have been an actress, a femme fatal. Never too late, she believed.
“Y’all see me out there,” she said to the living room uttering a laugh. “I’m a gonna get up. I expect applause.”
She managed to rise, stabilize herself uneasily on her cane, and reach for the bottle of gin on the black formica counter in the kitchen to return to the screened-in back porch where earlier she had carried a melting tray of ice, a tall floral glass and a bottle of tonic, now on an opaque glass patio table. She sat unsteadily in a lawn chair, filled the glass, took a long drink and shouted;
"You out there, you damn coyote? You the one who was jumping at the porch door for my little pup Nippy?"
A canine chorus of dogs had begun their nightsong of barking from other homes in the older subdivision carved into the steeply bounded hollow.
"Oh yes oh yes sing it sing it. You hear that Nippy, they’re singing to you and me?" Nippy made a little motion with his tail but otherwise didn't move. Snookie was off somewhere.
“Snookie,” she called. “Snookie, get out here and keep me company.
Coyote, you out there?"

Above, on the ridge overlooking Krutcher’s home, stood Billy Daisy, short, disheveled, in his 30s, eyes focusing and unfocusing in the fading late summer twilight, sweating in the heat in front of a double-wide mobile home where a couple inside was cooking enough meth for tonight and tomorrow, they said. ...

Thursday, March 01, 2012

THE MAZE PHASE . . .

Intensive reading and writing are in process, and even reconstituting, just a little, a doctoral dissertation for self-publication that puts a book on Amazon, joining my documentaries there, which doesn't mean it will be bought or read but could get a little more exposure than it's gotten forgotten buried on my website along with other pages I haven't looked at in years.
One short story completed, a novel started as well as another short story and a large amount of Scandinavian and other noir reading plus Joyce Carol Oates and Annie Dillard, research into markets plus hooking up with the Chattanooga Writers Group and one of its fiction writers gatherings.
Style and character - and fearlessness, going forth with that in the foreground at the moment conscious of storytelling too but not formulaic. My voice, too. On paper... I know what it feels like, even imagine it complex, and am in awe at the way some authors can distill that complexity and unwind it in long lucid passages. Or defer it intermittently throughout a work thematically along with other themes similarly intermittent, woven.
So now it seems the first phase of this new way to me to be creative has passed. A slight pause to look at the maze from above, then back to it.

Tuesday, February 28, 2012

IN THE PROCESS OF PUBLICATION ...












BACK COVER TEXT:
Philosophy and theology have increasingly turned to the problem of the rising numbers of people who live in severe conditions of oppression, people who are surplus to global economic and political orders which the oppressed define as "neoliberal" and "neocolonial."
This work, Political Grace: The Gift of Resistance, is part of that turning, through conversations with those who were and still are living under oppressive conditions, especially in Central America and Mexico, and through conversations with phenomenology, feminist theology, feminist jurisprudence, ethics, and liberation theology.
There is an assertion that grace, and the organization of the "lifeworld" which phenomenologists discuss, act in concert to seek to empower the flourishing of humans to understand and resist the abasing conditions they confront.
What frequently occurs when people living under oppressive conditions try to change their circumstances is a backlash by those who control their political, social and economic conditions. In response, the spirit of grace, as part of the human effort to flourish, aids in the resistance against the denial of this flourishing.
-- Wes Rehberg

Monday, February 27, 2012

WAS SHE A "SUBJECT" OR AN "OBJECT"?.


"Everybody knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for, she cannot be lost because no one is looking for her, and even if they were, how can they call her if they don't know her name?"

-- Toni Morrison, "Beloved"

Saturday, February 25, 2012

THE ENDURING

Completed what I now think is the final draft for my short story "The Enduring" - an excerpt is below - since revised a little in the latest version.
I'm not sure what to do with it at this point. Probably let it sit a bit. Exploring publication options. Though I've published nonfiction, this would be the first for fiction - a leap, for sure.

Friday, February 24, 2012

SCATTERED...

I read, write, create, envision in scattered ways, wrong side up, pacing through tunnels and over bridges that lead to unknown destinies, negotiating slippery rocks in a stream that seems to be rushing by too fast, so fast that I know I should have worn a life-jacket, following a character or an assemblage, asking: "What is it you're conjuring now? If we fall, will it be fatal?"

Tuesday, February 21, 2012

RANDOM REFLECTION ....

It's going to take awhile in this new fiction writing effort until I feel I've gotten a sense of rhythm, pace and phrasing. If I get there at all. Some of it now seems so clumsy ....

Thursday, February 16, 2012

DRAFT PASSAGE FROM "THE ENDURING" - A Short Story

Draft excerpt from my short-story "The Enduring" ...


With winter nearing, Elijah occupied himself with the woodpile, often supplied by Malcolm, easily handling the maul, sing-songing a string of thoughts while splitting logs.

“Chop, chop, the chopping block. Mock me, sucker, I’ll knock your clock. No way, no way, you’ll get away. Chop, chop, the chopping block.”

He’d also unchain the dogs and daily walk with them in the woods, feeling like he set them free, himself free, feeling connected to something along the trails and long-abandoned logging roads that would settle him.

“Free, free, run for the sun. Dogs are gunning it on the hunt. This way, that way, anyway now. Free, free run for the sun.”

#

It wasn't entirely unexpected, a day in that looming winter that etched itself in Malcolm's mind as another defining moment in his life. It had a particular eerie vibration that chilled him, that he could feel sweeping across an ancient upcropping of tree-covered bluestone shale like a wild spirit in the wind. Still it seemed sudden, the sisters sensing it too, electric. They looked up at the sky, low dark gray clouds moving much more swiftly than the gray masses above them. Heralds of foreboding.

Both the sisters and Malcolm heard the vehicle coming up Claw Valley Pike, the tires in the loose gravel and dirt, coming from the direction of the Pennsylvania border. ...



Wednesday, February 15, 2012

PERSONA, PLOT, PROTAGONISTS

Intrigued by the development of a relationship between two persons into a persona-as-protagonist plus the use of two protagonists on parallel plot tracks - such as in Jussi Adler-Olsen's "The Keeper of Lost Causes."

Or, somewhat similarly, the use of two protagonists and their parallel plot lines in Stieg Larsson's "Girl With a Dragon Tattoo."

Tuesday, February 14, 2012

CHARACTER SKETCHINGS FOR "SCOOTER" - short story

Title - Scooter

Key Characters:

MADELAINE KRUTCHER - Hate this thang, what, quad cane, fallen again, don't they know I'm a Red Hat girl, damn legs swollen again - cat tripped me, Snookie lick my face, Nippy, you're ignoring me - want me to have a motorized wheel chair, little ramps on my hardwood floor - feel me, feel my skin, feel it all - nobody touches me - I'm the nice one with cute little dogs, lots of cats, and here I am fallen by the litter boxes, full, elbow in one, doctor says at my age, what, 68, need a health care worker, if he's a man OK, otherwise, skip it. Rhonda comes to clean, but not this week, only when she wants. Drink, drink, drink, drink, I need a drink, a man, Horace is gone, other one too, husband, what was his name. .. age makes you forget but how could I forget that. .. Rusty, Rusty was lusty, dead too. Oh. .. can't get up. Oh no, not Rusty, Russell.

BILLY DAISY - Floating, didn't need a license for the scooter in this state, feels like riding on rubber, frame liquid, flowing, rocking, rolling, what speed, who could tell, so high, shimmer shimmer, up to Cliff's and Samantha's, cooking it, smoking it, out again, book me, fuckers, I'm out again, nobody I am, nobody but the scooter under my legs, swirling. Could see that little lady down in the hollow from the yard where Cliff shot golf balls into the hollow, using an iron, where the hell did he get them from, he called them goof balls, funny man. Little lady on the back porch with a bottle, must be vodka, got to pay her a visit. Place might be warm, this one's cold, electricity water turned off, candles, love the flickering, what they doing now those two. Little lady want a visitor? I'm the one the swat team snared when I tried to kill myself after I scared off my lady friend in that house by the state park, shit, one year is all they took from me, then rehab, what fools, what a joke. Little lady, I got a rap sheet, I'm bad, you want bad?

RHONDA STILLMAN - Calls me her friend, tightwad bitch doesn't pay me enough to clean up all that cat crap, but she's a worry the way she's started carrying on, in a way I got to keep an eye on her, but I got enough troubles, don't need hers, she'll get what she wants, can pay for it, but what neglect, how could she not see that, downsliding like she is.

CLIFF BREADSWORTH -

SAMANTHA JENSON -

NEIGHBORS (to be named) -

SHELLY ROSE - neighbor - Madelaine worries me, no doubt needs groceries, bright lady bright eyes bright humor (is it an act? There's a dark side) - what a mess her place fine furniture, could be elegant, probably was once, wants to know about the revolver in her drawer.

CAROLYN CORTRIGHT - next door

ROBERT SKILLEN - property owner where meth couple lives

Firefighters etc -

EMTs -

Police -

THE CHARACTER IS PRIMARY FOR ME

Caught up in this - Some book characters that remain with me:

Carl Mørk / Merete Lynggard - Jussi Adler-Olsen
Annie Dillard - herself
Lisbeth Salander - Stieg Larssen
Harry Hole - Jo Nesbo
Janie Crawford - Zora Neale Hurston
Frank McCourt in "Angela's Ashes"
Deanna Wolfe - Barbara Kingsolver
Lew Archer - Ross Macdonald
Hazel Motes - Flannery O'Connor
Ignatius J. Reilly - John Kennedy O'Toole
Beloved - Toni Morrison
Lancelot Lamar - Walker Percy
Francis Phelan - William Kennedy
William Least Heat-Moon - himself
Annislee - Joyce Carol Oates
Anonymous
Elias Chacour - himself
Kurt Wallander - Henning Mankell
Meursault - Albert Camus

Others too - got to stop here ...

UPDATING BLOG - VIDEO CURIO THEATER & WRITING

Been awhile since I've communicated via this blog site. Two things I'd like to note:

1. I've now turned to writing, intrigued in some ways by the noir style, but not that exclusively - short stories and a novel.
Though earlier videos are posted here, the blog now will be mostly devoted to what's going on with writing.

2. My video work recently has been strictly experimental, fashioned in what I'm presently calling a video anarchist style for a blog site called the Video Curio Theater - at http://blog.rehberg.net - short video art works.

Reminder that our home page is http://www.wildclearing.com

Be back in a bit ...

Friday, May 06, 2011

EXCERPT - COA CHATTANOOGA BUS LINE HISTORY TRIP



An excerpt from Chattanooga Organized for Action's city history trip on a regularly scheduled CARTA bus, history offered by Mike Feely - 3 minutes - filmed by Wes Rehberg, Wild Clearing

Tuesday, May 03, 2011

iPHONE EDITED - APISON TN TORNADO DESTRUCTION & AID



iPhone filmed & edited video of tornado destruction in Apison TN on April 27, 2011. Filmed while I and Eileen Rehberg sought to assess victims' needs for United Way of Chattanooga 211, Eileen the 211 director - Wes Rehberg

Tuesday, April 05, 2011

"ANOTHER WAY TO PUT" - title segment of video album

"Another Way to Put it" is a 2-part experimental short on a reflection on filming direction -- actors include Christy Gallo, Jennelle Gilreath, Randall Pennington -- 2nd camera was Megan Hollenbeck -- additional music by Donnie Jenkins and Dalton Roberts -- filmed by me, Wes Rehberg, Wild Clearing - 6-minutes

"DOWN HOME WITH DALTON" - a video album documentary

"Down Home With Dalton" is a video album documentary about Dalton Roberts, singer, songwriter, storyteller and former Hamilton County, Tennessee, county executive. Features songs and conversations with Dalton, also with musicians Donnie Jenkins and Martha Ann Brooks. This video clip is an introduction to the video album - Wes Rehberg, Wild Clearing - see www.wildclearing.com/dalton.html for more ...

Thursday, November 11, 2010

"War Is Over" sung by The States ("When War Is Done")



"War Is Over," Si Kahn's song, is sung by The States in this informal take filmed by Wes Rehberg. The States are Janie Stein and Marty Bates - roving troubadour folk singers. Filmed inside their home, their RV ... © 2010 Wild Clearing (Also know as "When War is Done"

Tuesday, September 28, 2010

Bluegrass, Brakhage, Breakage and Brouillage Redux - a lens cleaner



Bluegrass, Brakhage, Breakage and Brouillage Redux - a lens cleaner - to keep the other eye open in the midst of doc shots and sketches ... my harkening way way back to when it was then ... 3 minutes

Sunday, September 19, 2010

Y-CAP Juvenile Offenders Garden Work With Disabled Adults



Y-CAP began a juvenile offenders garden project in Chattanooga as part of work to help them develop positive behaviors and share their work with disabled adults who live as Orange Grove Center residents. This rough video excerpt from my developing documentary film sketch offers a view of that project. Four minutes, by Wes Rehberg, Wild Clearing.